Does this count as “something different,” or is it still a photocliché?
One of the first things I shot with my 50mm f/1.8 was this collection of daffodils. Shot at f/1.8 and very close range, the depth of field is almost nonexistent. While this is certainly a cliché, I tried to process it a little differently. Does it work?
My students developed their first rolls this week, with some success. Unfortunately, one of our cameras has serious meter problems and another has light leaks. This process has been a constant reminder of both how difficult and rewarding getting a working vintage setup can be.
Nikon D200, Nikkor 50mm f/1.8.
Look what I found.
Another old shot of an old truck, this one from some time around October when I was testing out my brand new (to me) K1000. I’m trying to get back to posting regularly, but it’s tough because none of the film I’ve been shooting is developed yet (a black and white roll and a roll of ancient cheap color film I found in my boss’s office). This isn’t one of my favorites, but it fits the theme.
Pentax K1000, SMC-M 50mm f/2, Fuji Superia X-tra 400.
I was looking through old scans and forgot about this one.
I’m pretty sure I know who this truck belongs to, and this picture of this truck seems a fair reflection of his personality.
“FYI- YASHICA CAMERA” arrived today, and was a miserable disappointment. The film advance isn’t really connected to anything, the mirror is stuck up, and the shutter won’t cock. These problems are probably all related, but the point is that the camera is definitely not usable. After all of that waiting and frustration, it is utterly worthless. Now begins the delicate eBay refund tapdance. Though my dealings with the seller so far aren’t exactly confidence-inspiring, I hope this one isn’t too painful. Moral of the story: Don’t be stupid like me- learn your lessons.
I loaded up my students’ cameras with Tri-X tonight, and they’re off into the world of hybrid black-and-white photography. Most have never handled a 35mm camera before, and none has used a manual camera before. One pair is using a KR-10 from my personal stash (actually, it’s borrowed) in place of the disappointing Yashica. I forgot that it has a light leak, so I’ll have to track them down tomorrow with some electrical tape.
It’s strange trying to explain exposure and film and metering to people who have never tried it before. It’s easy to forget how foreign these things feel at first, especially to those of us hailing from the digital age. There’s a difference between explaining and teaching, and I’m hoping this week of playing with the cameras will help take me from the first to the second. Only time will tell.
Probably my KR-5 Super II loaded with Plus-X. I should write these things down.