Tag Archives: Organic

Quarters

Photography is a two-part process.

In the days of film, there was negative making (“shooting”) and printmaking (“printing”). With digital, nothing has changed, the image is captured/created, then processed into a final product.

This means that sometimes you can find an old image you weren’t fond of and re-imagine the processing to get something you do. This was shot on Ilford FP4+, scanned as a negative, and processed digitally. Call it whatever you want, but it’s just stage one from one process and stage two from the other.

Pentax K1000, Ilford FP4+ in Clayton F76+.

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Filed under Black and White, Film, Self-Developed, Street Photography, Uncategorized

Abstract II

honeybears

Photography is disassembly.

One of my favorite things about the infamous shower scene in Psycho is the way that Hitchcocks’ careful camera work literally cuts Janet Leigh (as Marion Crane) into pieces. The audience goes from visuals of the rising and falling knife to individual pieces of Leigh’s body. At least in an impressionistic sense, she is being vut into pieces.

Photography can work much the same way. The camera can take a larger phenomenon (in this case, a farmers’ market) and cut it into the little pieces that hold it together. This particular slice is a box of extra bears full of honey that a vendor had stashed in the back of his Jeep.

Ilford FP4+.

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Filed under Black and White, Film, Self-Developed, Street Photography

Abstract

eplant

Photography is about the gaze.

The great thing about photography is that it allows one to enter another’s perspective. You or anyone else may have seen this completely differently. If I went back tomorrow, I probably would as well. That’s the fun part- a slice of my gaze preserved and stretched over an infinite length of time.

Ilford FP4+.

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Filed under Black and White, Film, Self-Developed, Street Photography

Apple Wedges

apple-wedges

Photography is back online.

Basically, the reason I haven’t been posting my photographs is that I myself have had no access to them. I tried shooting digital for a while (the previous three entries), but it wasn’t inspiring. So instead, negatives have piled up with no way to print or scan them. A brief bright spot occurred, however, when I was able to justify some good ol’ black and white shooting for a project I was working on (trust me, the justification was pretty tenuous). It sure was expensive though: Five scans destined for 8x10s and 8x12s cost me $23. For five scans. Not including the price of film, developing, printing, and shipping the prints, that’s $5.75 each. Just for scanning. Regardless, here is the first in all of its glory. Enjoy.

Pentax K1000 (first from the new/old camera!), APX400, Clayton F76+ film developer, $5.75 scan.

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Filed under Black and White, Film, Self-Developed, Street Photography