Through the rain.
Three in a row from my last Holga roll. This was the first roll I shot without the 6×6 mask, so there’s some nice bleedover onto the edges of the film. Interesting to note that the exposures are so different. The sun was going down, so hypothetically they should get darker from left to right. Since the Holga shutter mechanism is a disc with a hole and a spring, it’s not really surprising that these are all over the place.
Holga, Fuji Pro 800Z.
I need to do more shooting, and I think I’m going to try cross-processing more slide film. Among other things, I have some Provia 400F on my desk (expired September 2004) which should be interesting. This is from another roll of the same film.
Minolta XD5, Fuji Provia 400F (exp. 2004).
I think this is a nice example of what my cross-processed Provia is doing to skies. Pretty neat, isn’t it?
Minolta XD5, MC 50mm f/1.8, Provia 400F (expired September 2004) cross-processed (C41).
Another from my Provia roll this weekend. When I first ran these negatives through the scanner (I always check the “develop only” box now that I have a negative scanner, and Ritz still charges $4.50), I was disappointed. They had the graininess and sharpness that I like from my cross processed rolls, but the color shifts were minimal and the dynamic range was impossibly thin. I bracketed each shot, and in many cases one was underexposed and one had blown highlights all over. Is Provia a bad film for cross processing? A quick Flickr search suggested that this is definitely not the case.
So why did my film look funny? Turns out the automatic exposure software in my scanner doesn’t handle weird negatives very well (specifically the white point setting). Once I went back and set it manually, I got some very interesting results. Here’s one in color:
Minolta XD5, probably an old MC 50mm f/1.8 (it could have been the 28mm, and I really should be able to tell), Fuji Provia 400F expired September 2004 and cross processed at Ritz.
Look what I found.
Another old shot of an old truck, this one from some time around October when I was testing out my brand new (to me) K1000. I’m trying to get back to posting regularly, but it’s tough because none of the film I’ve been shooting is developed yet (a black and white roll and a roll of ancient cheap color film I found in my boss’s office). This isn’t one of my favorites, but it fits the theme.
Pentax K1000, SMC-M 50mm f/2, Fuji Superia X-tra 400.
Something about fields of flags always catches my eye
(and this one was no exception).
Redscale film is something I’d like to shoot more of in the future.
Kodak Gold 200 Redscale, Fuji toy camera, regular C-41 processing.
Around and around and around again.
I think this is pretty self-explanatory.
The exciting news is not that the camera body got here today (which was expected), but that the lens and CompactFlash card arrived a full four days earlier than UPS predicted. That was definitely a nice Friday surprise.
Nikon D200, Nikkor 50mm f/1.8, off-camera flash (“Promatic FT700”) medium-high right with printer-paper-and-electrical tape barndoor assembly triggered optically with the onboard flash.